Let’s talk about Insecticon re-issues. Specifically, let’s talk about the Legacy and Legacy Evolution series. Why, you may ask? You may not know this, but I name my computers after Transformers, and have for a long, long time. This used to be A Thing among nerds. For instance, a friend of mine named all of his computers after South Park characters. Anywho, I had a quick round of three computers (a laptop, a Roku replacement, and a streaming machine for while I’m working on servers in the basement), and I named them all after G1 Insecticons. If I like the Transformer enough to name a computer after it, I usually also enjoy collecting a toy of it. In a stroke of luck, this happened during the Legacy and Legacy Evolution releases, so I picked Kickback up during one of Ace of Hearts‘ Target adventures.

While the transformation is more complex than the G1 version of the toy, it’s still pretty straightforward. There’s a hip rotation, and there’s some feet repositioning, and there’s some neck twisting. Nothing surprising, and nothing difficult.

The joints are stiff enough to be able to pose the figure and leave him that way, and there are enough of them that there’s plenty of articulation. Articulation and detail – in both modes – are where this re-issue shine. In those ways, it is absolutely an improvement on the original 1980’s toy. In every other way, it’s faithful to the original, and a worthy update.

Sometimes, taking the risk of modifying a Maximal protoform into a Predacon has some… side effects. Wait, let me back up.

In the 90s, when CGI was first becoming A Real Thing, a couple of animated shows went all-in on the computer animation. Hasbro took a huge risk, and Transformers: Beast Wars was one of these fantastic shows. (I’m not forgetting ReBoot! I hope I never forget ReBoot.)

Much like their Autobot and Decepticon ancestors, the Maximals and Predacons chased each other across the galaxy and ended up crash-landing on an unknown planet in an unexplored solar system. The Maximal ship was a research/colonization vessel, and carried a precious cargo… Maximal protoforms – unborn Transformers. When the Transformers on the surface recovered, they realized the protoforms were orbiting the planet in their pods, and some of those orbits were decaying, destined to land and aid their Maximal compatriots.

The Predacons would prefer to expand their own forces, however, and came up with a plan to reformat the protoforms to that end. And it worked! Mostly. Every once in a while, there were side effects. And Inferno, well, his beast mode overrode his logic circuits, in the parlance of the show. As a fire ant, his only purpose in life was to protect his colony – the stasis pod that he’d ridden down to the surface. Eventually, he was introduced to Megatron, and his understanding shifted to include him as the colony’s Queen. His beast mode – a gigantic fire ant – is creepy and bumpy and just incredibly FIRE ANT.

Inferno is my favorite Predacon in Beast Wars, and I cannot state this strongly enough. His wild glee, his chaotic spreading of fire with his flamethrower, and his complete abandon while flying through the sky with his butt… er… abdomen jetpack, leaving an enormous smoke trail through the sky! Just amazing.

FOR THE COLONY!

Have you ever listened to a military veteran tell stories of a war? Have you ever heard them recount how much the Battle of WhateverTheHeck relates to the current situation? Meet Kup; he’s that guy. On top of that, he’s still an incredibly effective soldier for the Autobot cause, can wrangle Hot Rod, Grimlock, and Wheelie during emergency situations, and still has his Cybertronian alt mode.

Kup taught us all about the Universal Greeting – Bah weep grah nah weep ninibong. He helps the Autobots make it through Optimus Prime’s death, and helps Hod Rod on his journey to becoming Rodimus Prime. Yes, he did it through nagging and war stories, but he did it!

Maybe I should write something about the toy.

Both the Cybertronian truck mode and the robot mode are incredibly accurate to the 1986 Transformers movie. The joints are tight enough to keep a pose, but loose enough to be posed in the first place. The toy comes with both Kup’s gun and the energon dispenser that he uses in combination with the Universal Greeting.

I was quite happy to add this Studio Series Kup to my collection, and doubly impressed with the continued accuracy of the Studio Series figues.

There is a Transformers series that is set in a futuristic Detroit, and that series is Transformers: Animated. The art style is less realistic than many, and the story is definitely targeted to a younger audience. The human friend of the Autobots, Sari, is actually both competent and relatable to the target audience. I really enjoyed the Easter eggs and one-shot callback characters that appear throughout.

Unlike in most of the Transformers timelines, in this one, Soundwave doesn’t begin as a Decepticon. He begins as a robot toy of Sari’s, and begins to develop into a full-fledged transformer after coming into contact with a shard of the Allspark. This sort of process can be seen in later shows and movies, like the first Bayverse live-action movie.

As per usual, Soundwave is accompanied by his mini-con/drone/whatever, Laserbeak. And this time around, Soundwave turns into something akin to a Scion xB, while Laserbeak turns into a flying V electric guitar. There’s also an “electrostatic” version of the toy, with a dark gray and red color scheme rather than blue, and Ratbat as a keytar rather than Laserbeak. In the secondary market, this version is much harder to come by, despite any and all whining I may have done.

This is the second iteration of this toy that I’ve owned, and both have had extremely loose knees (much like me). That makes posing a lot more difficult than it could be, but not impossible. I’m very happy to have this one back in my collection, and am now on the lookout for a copy of the Animated series to add to my DVD/Blu-Ray collection.